Screenwriters: Simon Pegg, Doug Jung, based on Star Trek, created by Gene Roddenberry Production companies: Paramount Pictures, Skydance Productions, Bad Robot Productions, Perfect Storm Entertainment, Sneaky SharkĬast: Chris Pine, Zachary Quinto, Zoe Saldana, John Cho, Simon Pegg, Karl Urban, Anton Yelchin, Idris Elba, Sofia Boutella, Lydia Wilson, Joe Taslim, Shohreh Aghdashloo While Beyond won’t unseat 1982’s thrilling The Wrath of Khan as the gold standard for Star Trek movies, it’s a highly entertaining entry guaranteed to give the franchise continuing life. But the actor’s powerful physicality is evident throughout, and he gets to explore a fuller range in the climactic scenes, as Krall’s true identity is revealed. Elba’s fierce charisma at first seems obscured beneath layers of prosthetic armor and a Darth Vader-esque heavy-breather voicebox (there are nods to both the Star Wars and Alien universes). One of the chief strengths of the reboot series remains its appealing young cast, who approach their iconic characters with respect while keeping their performances loose, enlivening their camaraderie with reciprocal warmth and understated humor. Rihanna Releases Cosmic Video for 'Sledgehammer' From 'Star Trek Beyond' However, that yields a strategy to disorient the swarm by blasting them with some Beastie Boys at max volume - “Is that classical music?” asks a perplexed Bones - which feeds into the film’s affectionate embrace of throwback relics, from a dusty motorcycle to an antiquated Federation spaceship from the distant 2160s. Windon, the visuals take robust advantage of the big Imax canvas, and the special-effects work is first-rate, even if the trippy, bee-like swarms of Krall’s destroyer pods become somewhat unrelenting as an image of enveloping darkness. Shot by Lin’s regular Fast & Furious collaborator Stephen F. And while the story isn’t without confusing elements, as warmongering intergalactic blitzes go, it’s coherent enough. However, there’s also no shortage of intimate, character-driven moments. But even if a team of four editors would normally spell trouble, the pacing, structure and crescendos of suspense are assured, with Michael Giacchino’s forceful score pumping up the action. Lin directs with his foot often jammed on the accelerator, careening from one physical or aerial clash to the next, where the densely packed movie could sometimes stand to take a breath. She also seems a promising potential love interest for Scotty in future installments, if only he’d stop calling her “lassie.” She’s a terrific new addition to the ensemble, played with a sexy sneer by the lithe Boutella. Kirk and Chekov land with the suspicious alien who got them into the mess (Lydia Wilson) Bones ( Karl Urban) and a seriously injured Spock are flung down elsewhere to banter in their respective personae as voluble joker and emotionless literalist Sulu and Uhura are taken prisoner by Krall, along with the bulk of the Enterprise crew and Scotty teams up with Jaylah ( Sofia Boutella), a zebra-faced alien also stranded on the planet and living in an abandoned Federation ship.Ī technical whizz and a take-charge fighter with impressive kickboxing moves, Jaylah’s look has a touch of Iggy Azalea but her taste in music runs more toward the vintage hip-hop of Public Enemy, “Fight the Power” being her anthem of choice. This allows for some amusing interplay among the core characters, outside of their familiar group dynamic. But those concerns get pushed aside when a vicious attack by Krall leaves the Enterprise crew stranded without a vessel and dispersed on the rocky desert terrain of Altamid, an inhospitable planet surrounded by an unstable nebula. Kirk is approaching a birthday that will make him older than his father lived to be Spock is compelled, despite his feelings for Uhura ( Zoe Saldana), to return to his people and help repopulate New Vulcan. Kirk and Spock ( Zachary Quinto) both are in the midst of introspective crises and contemplating big changes.
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